methods for collapse
BLINDSIDE GALLERY, 29 JUNE - 16 JULY, 2022.Invested in visual liberation through counter-intuitive practices, methods for collapse (m4c) is a live performance score which will go through cycles of destructive processing techniques over the duration of the exhibition.
m4c is a resistance to our seemingly inherent desires for knowing, progress and order (aka holding the world captive). It is an attempt to parallel a queer desire for becoming unlocatable/illegible through the “collapse [of] all reference and reconcilability” *.
m4c is the beginning of inquiries into a performance language which dis-locates/dis-orients (-to never reorient). A language to scramble the ease between image and label; an attempt to generate a phenomenology of kin.
Open to the public with no unveiling or revealing, m4c unlocks the gallery from its usual function. Constantly in flux, the work enters un-made and opens to the public as a work-in-“progress”. The gallery is now a studio space, and the public are invited to witness the writing, development, de-development (deterioration), and final collapse of the score.
1. Bewilderment by Fanny Howe [text more than partially irrelevant]
Schedule:
29th June - 2nd July a site responsive score is written.
6th July - 9th July performers learn the score.
13th July - 15th July the score is pushed through cycles of processing techniques
16th June the score goes through the cycles before a final looping aka the final mode of the scores collapse.
Performed by:
Mara Galagher
Sophie Gargan
Roslyn Orlando
Anika de Ruyter
MORE INFO/BLINDSIDE
--
DAY BY DAY SCHEDULE:
Wed 29
12-6 Writing 0
Thu 30
12-6 Writing 0
6-8 Opening & drinks
Fri 1
12-6 Writing 0
Sat 2
12-6 Writing 0
Wed 6
1-3.20 Learning 0
3.20-4 Break
4-6 Learning 0
Thu 7
1-3.20 Learning 0
3.20-4 Break
4-6 Learning 0
Fri 8
1-3.20 Learning 0
3.20-4 Break
4-6 Learning 0
Sat 9
2-4 Learning 0
4-4.30 Break
4.30-6 0
Wed 13
2-4 0
3-4 1
4-4.30 Break
4.30-6 0, 2
Thu 14
2-4.15 0, 3, 4
4.15-4.45 Break
4.45-6 5
Fri 15
3-6 0, 1, 2, 3, 4, 5
Sat 16
3-6 0/ 1/ 2/ 3/ 4/ 5/
m4c is a resistance to our seemingly inherent desires for knowing, progress and order (aka holding the world captive). It is an attempt to parallel a queer desire for becoming unlocatable/illegible through the “collapse [of] all reference and reconcilability” *.
m4c is the beginning of inquiries into a performance language which dis-locates/dis-orients (-to never reorient). A language to scramble the ease between image and label; an attempt to generate a phenomenology of kin.
Open to the public with no unveiling or revealing, m4c unlocks the gallery from its usual function. Constantly in flux, the work enters un-made and opens to the public as a work-in-“progress”. The gallery is now a studio space, and the public are invited to witness the writing, development, de-development (deterioration), and final collapse of the score.
1. Bewilderment by Fanny Howe [text more than partially irrelevant]
Schedule:
29th June - 2nd July a site responsive score is written.
6th July - 9th July performers learn the score.
13th July - 15th July the score is pushed through cycles of processing techniques
16th June the score goes through the cycles before a final looping aka the final mode of the scores collapse.
Performed by:
Mara Galagher
Sophie Gargan
Roslyn Orlando
Anika de Ruyter
MORE INFO/BLINDSIDE
--
DAY BY DAY SCHEDULE:
Wed 29
12-6 Writing 0
Thu 30
12-6 Writing 0
6-8 Opening & drinks
Fri 1
12-6 Writing 0
Sat 2
12-6 Writing 0
Wed 6
1-3.20 Learning 0
3.20-4 Break
4-6 Learning 0
Thu 7
1-3.20 Learning 0
3.20-4 Break
4-6 Learning 0
Fri 8
1-3.20 Learning 0
3.20-4 Break
4-6 Learning 0
Sat 9
2-4 Learning 0
4-4.30 Break
4.30-6 0
Wed 13
2-4 0
3-4 1
4-4.30 Break
4.30-6 0, 2
Thu 14
2-4.15 0, 3, 4
4.15-4.45 Break
4.45-6 5
Fri 15
3-6 0, 1, 2, 3, 4, 5
Sat 16
3-6 0/ 1/ 2/ 3/ 4/ 5/
Supported by:
