ten clones of Gabriella in a smokey warehouse space. We see Gabriella rollerblading, smoking out a window, spray painting a cardboard sign, lying on the ground, wanking off, falling, riding a bicycle, smoking while holding a handmade smoke machine made out of cardboard, lying on the ground drinking a can of coke and Gabriella wearing a nappy and holding a cake. apart from many Gabriella clones, a cake, dripping sits in the front centre of the space, looking quite sad.

Gabriella’s enquiries and research are situated around theoretical and embodied investigations of a “stumble”: failing devices for live performance which attempt to parallel queer a desire for becoming unlocatable/illegible through the destabilisation of the viewer.